Cherry Tree is a community for fans of The National; a place where the band can connect directly with, and give back to each of them. Sign-up now so you don’t miss out on the exciting things coming this year.
Update: The public on-sale for our performance at Wolf Trap in Vienna, VA will take place at 10am on Saturday, February 22nd.
It had previously been announced that the public on-sale would be Friday, February 21st.
We are pleased to announce some additional 2020 dates:
07.15 Shelburne, VT // The Green at Shelburne Museum
07.17 Ottawa, ON // Ottawa Bluesfest
07.20 Minneapolis, MN // Surly Brewing Festival Field
07.21 Winnipeg, MB // Burton Cummings Theatre
07.23 Edmonton, AB // Edmonton Convention Centre
07.25 Missoula, MT // KettleHouse Amphitheatre
07.26 Boise, ID // Outlaw Field at Idaho Botanical Garden
07.29 Vienna, VA // Wolf Trap Center for Performing Arts
07.30 New Haven, CT // Westville Music Bowl
07.31 Bethlehem, PA // Musikfest
08.01 Cooperstown, NY // Brewery Ommegang
We’re thrilled to have Lucy Dacus, Julia Jacklin and Sharon Van Etten joining us at many of these newly announced shows.
A public on-sale will begin on Friday, Feb 21st at 10am local (except Shelburne, which goes on sale at 11am local, and Wolf Trap which goes on sale Feb 22 at 10am local).
Additional 2020 dates may be announced.
Watch Juicy Sonic Magic: The Mike Millard Method, a 10-minute mini-documentary directed by David DuBois in the video section of americanmary.com.
The film tells the story of late, great concert taper Mike “The Mike” Millard and an homage to his work that was undertaken by archivist and producer Erik Flannigan, who attempted to recreate the legendary taper’s methods by using the same vintage cassette deck and microphones Millard employed in the ’70s to record our two Greek Theatre concerts last year.
Millard became a legend for his high-quality bootleg recordings of artists like Led Zeppelin, Pink Floyd, Bob Dylan and many others made in and around Southern California in the ’70s and ’80’s by sneaking his equipment into concerts hidden in a wheelchair. The film features animation by illustrator Jess Rotter and Eben McCue, plus interviews with Matt Berninger, producer/archivist Erik Flannigan and Mike Millard’s friend Jim Reinstein, who pushed Millard and his wheelchair into dozens of shows.
Flannigan explained the idea behind using The Mike Millard Method in the liner notes of the accompanying Black Friday Record Store Day three-cassette box set release entitled ‘The National: Juicy Sonic Magic, Live in Berkeley, September 24-25, 2018’, saying:
“The most celebrated audience taper of the period, Mike Millard, recorded in and around Southern California beginning in 1974 and continued into the early ’90s. Millard’s legend is built in part on the cunning and subterfuge he used to get his nearly 15-pound cassette deck and microphones into venues like the The Forum, Santa Monica Civic Auditorium, and The Roxy.
For years I have pondered what made Millard’s recordings so good, and eventually I had an idea: What if you recorded a concert today with the same equipment Millard used in 1977? Would it sound like his tapes? Would it tap into his Midas touch?
The National was kind enough to let us test the Millard Method for two concerts at the Greek Theatre in Berkeley, California last September. These live recordings were made with vintage AKG 451E microphones and a restored Nakamichi 550 cassette deck which are identical to those used by Millard circa 1975-81. The idea was to see if we could recreate what Matt Berninger calls the “juicy sonic magic” Millard captured in his 1970s field recordings.
Together with my friend and filmmaker David DuBois, we also produced a short documentary about Millard, his recording methods, and our attempt to recreate his work at the National shows in Berkeley, a venue that is utterly unchanged since the ’70s.
With the advent of smartphones, thousands of people routinely record part of the show when they attend a National concert or any other performance. Forty years ago, when nobody would dare do that, one man made it his life’s work to preserve legendary concerts on tape.”
Homecoming in association with MusicNow returns to Cincinnati May 8-10, 2020!
The May 8-9 Homecoming lineup at Smale Park is here!
THE NATIONAL (TWO NIGHTS / TWO UNIQUE SETS / PERFORMING HIGH VIOLET IN FULL)
PATTI SMITH AND HER BAND
SYLVAN ESSO
OF MONSTERS AND MEN
LOCAL NATIVES
JAPANESE BREAKFAST
PHOSPHORESCENT
HAMILTON LEITHAUSER
JAY SOM
SUDAN ARCHIVES
VELVET NEGRONI
WUSSY
TRIIIBE
▶Public On Sale: 11/22 at 10am EST at NTLhomcoming.com
Active Cherry Tree members have access to special MEMBERS-ONLY festival perks.
Watch the new video for our song ‘Hey Rosey’ starring Sharon Eyal in the video section of americanmary.com.
Directed by Mike Mills and produced by La Blogothèque.
“I had always loved the work of Sharon Eyal, especially her improvisation. Luckily she was also a fan of The National and we began talking about her doing some dance work around the new record. For Hey Rosey, we asked her to be a continuation of Alicia Vikander’s character in I Am Easy To Find – a side of that character we didn’t see in that film, the unconscious of that character, but really left that for Sharon to interpret. I think in subtle, strange, but really powerful ways she found movements and gestures that echo the feelings and themes in Hey Rosey.” – Mike Mills